Recording Process & The First Draft

I have discovered that, in life, it's good to start with something you know and build from that. With that in mind, I decided that the easiest thing to do when I start recording for the LibriVox project would be to start with a story on which I had already worked. So, I settled on "Entrance and Exit" by Algernon Blackwood. This is a short thriller...about a 12-minute read out loud.

Since the LibriVox project is done of public domain material, it is important to ensure that the book, document, or story that one wishes to read is in the public domain. So, I had to make sure that "Entrance and Exit was in the public domain. So, one of my project advisors helped me to find that the story was, indeed, in the public domain, as it was published in 1914.

You can find the full text here: "Entrance and Exit" by Algernon Blackwood .

My process for the first recording was as follows:

1. Warming up.

If I recall correctly, on my way over to the recording lab in the Fine Arts building of my campus, I warmed up my voice. This was of vast importance, and not just because I was a bit congested that day! In anything that a person does involving the voice, it is of the utmost importance to warm up the voice. Through six years of choral singing experience, I have found that my voice feels best when I warm up my head voice and falsetto voice first. This accomplishes two things for me: a) since it is impossible to produce a strong or clear tone in head voice with tension, it gets me thinking about proper relaxation and b) it gets me to think of using a great deal of my vocal range. Using a greater vocal range, I believe, enhances my performance.

2. Test for voice quality
After opening up the program and checking the microphone status - it is important to make sure that the sound is going into the microphone and not into the computer's internal microphone...sound quality is much, much better through the external mic. - I ran a couple of test files. I feel that it's important to listen to how I sound before I begin recording...this way, I can check how the microphone is picking me up.

3. Microphone height
For the testing process, I said something simple into the microphone, adjusting the microphone to four different levels...low, medium, a little high, and really high. I do not remember what I said for the test, but it is immaterial. The point is that I said the same thing at each height. After recording these tests, I listened to the four samples and found that I liked the sound quality best at "medium" and at "a litte high." Upon reflection, I wonder if I might want to use the different speaking qualities at different levels of microphone height to give different types of characterization. It is also important to note that I am not holding the microphone with my hand. It is on a headset.

4. The LibriVox Introduction Most supervisors for the submission of recordings ask that the LibriVox introduction be given before every reading. It is to be read as follows:

[Chapter Number] of [book title]. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information, or to volunteer, please visit LibriVox.org.

If one wishes, he or she can add:

recorded by [reader's name/name of choice for recording]

Finally:

[Book name], by [author], translated by [translator name], chapter [number.]

It almost goes without saying that short stories such as "Entrance and Exit" do not need the chapter number read because they have no chapter; also, if the work is read in its original language, no translator name will be necessary.

5. Record the Work!
When these simple steps have been accomplished, it is now time to read the story. I paused a few seconds, as LibriVox recommends, and then began!

The First Draft
Without further ado, I present the first draft of "Entrance and Exit." At this point, I do not know how to import audio files into blogger, so I used Windows Movie Maker to create a simple video using the LibriVox logo as a graphic.

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